This entire presentation is copyright © 1968 and © 1999 by William Allin Storrer. Phd. For permission to quote, contact Dr. Storrer at mindalive@storrer.com

A. BOOKS

Albee, Edward. Malcolm. New York: Athenaeum, 1966.

______ . The American Dream. New York: Coward-McCann,

______ . The Ballad of the Sad Cafe. New York: Athenaeum, 1965.

______ . The Zoo Story. The Death of Bessie Smith. The Sandbox. New York: Coward-McCann, 1960.

______ . Tiny Alice. New York: Athenaeum, 1965.

______ . Who's Afraid of Virginia Woolf? New York: Athenaeum, 1962.

Arnheim, Rudolf. Film as Art. Berkeley: University of California Press, 1957.

Balazs, Bela. Theory of The Film. Trans. Edith Bone. New York: Roy Publishers, 1953.

Bazin, Andre. What is Cinema? Trans. Hugh Gray. Berkeley: University of California Press, 1967.

Bergman, Ingmar. Four Screenplays of Ingmar Bergman. Trans. Lars Malmstrom and David Kushner. New York: Simon and Schuster, 1960.

Bluestone, George. Novels into Film. Berkeley: University of California Press, 1957.

Burke, Kenneth. A Grammar of Motives. New York: Prentice-Hall, 1945.

______ . Counter-Statement. Second edition. Los Altos, California: Hermes Publications, 1945.

Butcher, S. H. Aristotle's Poetics. New York: Hill and Wang, 1961

Cook, Arthur Bernard. Zeus. 2 vols. Cambridge: The University Press, 1914.

Cornford, Francis Macdonald. Greek Religious Thought. New York: E. P. Dutton, 1923.

______ . The Origin of Attic Comedy. London: E. Arnold, 1914.

Debrix, Jean R. Les fondements de l'art cinematographique. Paris: Editions du Cerf, 1960.

Eisenstein, Sergei M. The Film Form. Trans. Jay Leyda. New York: Harcourt, Brace, 1949.

______ . The Film Sense. Trans. Jay Leyda. New York: Harcourt, Brace, 1942.

______ . Notes of a Film Director. London: Lawrence and Wishard, 1959.

Fergusson, Francis. "Introduction," in Butcher, Aristotle's Poetics. New York: Hill and Wang, 1961.

______ . The Idea of a Theater. Garden City, New York: Doubleday & Company, originally published by Princeton University Press, 1949.

Fitts, Dudley, (ed.). Greek Plays in Modern Translation. New York: The Dial Press, 1965.

Frazer, Sir James George. The Golden Bough. 1 vol. abr. ed. New York: Macmillan, 1960.

Gardner, R. H. The Splintered Stage: The Decline of the American Theatre. New York: Macmillan, 1905.

Gassner, John, and Ralph G. Allen. Theatre and Drama in the Making. Boston: Houghton Miflin, 1964.

Gaster Theodore H. Thespis. New York: Harper and Row, 1966 .

Harrison, J E. Themis. Second edition. Cambridge: The University Press, 1927.

Hauser, Arnold. The Social History of Art. 2 vols. New York: Knopf, 1951.

Herman, Lewis. A Practical Manual of Screen Playwriting. Cleveland: World Publishing, 1952.

Hunninger, Benjamin. The Origin of the Theater. New York: Hill and Wang, 1955.

Jacobs, Lewis, (ed.). Introduction to the Art of the Movies. New York: Noonday Press, 1960.

Jones, Robert Edmund. The Dramatic Imagination. New York: Theatre Arts Books, 1941.

Kitto, H. D. F. Form and Meaning in Drama. London: Metheuen, 1956.

Kracauer, Siegfried. Theory of Film. New York: Oxford University Press, 1960.

Langer, Suzanne. Feeling and Form. New York: Charles Scribner's Sons, 1963

Lawson, John Howard. Film: The Creative Process. New York: Hill and Wang, 1964.

______ . Theory and Technique of Playwriting and Screen-writing. New York: Putnam, 1949.

Lewis, Allan. American Plays and Playwrights of the Contemporary Theatre. New York: Crown Publishers, 1965.

Lindgren, Ernst. The Art of the Film. New York: Macmillan, 1963.

MacCann, Richard Dyer, (ed.). Film: A Montage of Theories. New York: E. P. Dutton, 1966.

______ . Film and Society. New York: Scribner, 1964.

Macgowan, Kenneth, and William Melnitz. The Living Stage. Englewood Cliffs, New Jersey: Prentice-Hall, 1955.

Manoogian, Haig P. The Film-Maker's Art. New York: Basic Books, 1966.

Montagu, Ivor. Film World. Baltimore, Md.: Penguin Books, 1964.

Murray, Gilbert. "Excursus on the Ritual Forms Preserved in Greek Tragedy," published in Harrison. Themis. Cambridge: The University Press, 1927.

______ . Five Stages of Greek Religion. New York: Columbia University Press, 1925.

______ . "Foreword," published in Gaster. Thespis. New York: Harper and Row, 1966.

Nicoll, Allardyce. Film and Theatre. New York: Thomas Y. Crowell, 1936.

______ . World Drama. New York: Harcourt, Brace, n.d.

Nizhny, Vladimir. Lessons with Eisenstein. Trans. Ivor Montagu and Jay Leyda. New York: Hill and Wang, 1962.

Pickard-Cambridge, A. W. Dithyramb, Tragedy and Comedy. Oxford: The Clarendon Press, 1927.

______ . The Dramatic Festivals of Athens. Oxford: The Clarendon Press,1953.

______ . The Theatre of Dionysus in Athens. Oxford: The Clarendon Press, 1946.

Pudovkin, V. I. Film Technique and Film Acting. Trans. Ivor Montagu. New York: Lear, 1949.

Ridgeway, Sir William. The Dramas and Dramatic Dances of Non-European Races. New York: Benjamin Blom, 1964.

______ . The Origin of Tragedy. Cambridge: The University Press, 1910.

Spengler, Oswald. The Decline of the West. 2 vols. New York: Alfred A. Knopf, 1926.

Spottiswodde, Raymond. A Grammar of the Film. Berkeley: University of California Press, 1950.

______ . Film and Its Technique. Berkeley: University of California Press, 1951.

Stephens, Frances, (ed.). Theatre World Annual 1965. London: Iliffe Books, 1964.

Stephenson, Ralph, and J. R. Debrix. The Cinema as Art. Baltimore, Md.: Penguin Books, 1965.

Talbot, Daniel. Film: An Anthology. Berkeley: University of California Press, 1966.

Taylor, John Russell. Cinema Eye, Cinema Ear. New York: Hill and Wang, 1964.

Weitz, Morris, (ed.). Problems in Aesthetics. New York: Macmillan, 1959.

Wellwarth, George E. The Theater of Protest and Paradox. New York: Pocket Books, 1962.

B. PERIODICALS

"Albee," The New Yorker, XXXVII (March 25, 1961), pp. 30-32.

Albee, Edward. "Creativity and Commitment," The Saturday Review, XLIX (June 4, 1966), p. 26.

______ . "Which Theatre is the Absurd One?" New York Times Magazine, February 25, 1962, pp. 30-31, 64, 66.

"Albee: Odd Man In On Broadway," Newsweek, LXI (February 4, 1963), pp. 49-52.

"Albee Revisited," The New Yorker, XL (December 19, 1964), pp 31 -33.

Arnheim, Rudolf. "Epic and Dramatic Film," Film Culture, III (1957), pp. 9-10.

"A surprising Liz in a film shocker," Life, LX (June 10, 1966), pp. 87-91.

Baxandall, Lee. "The Theatre of Edward Albee," Tulane Drama Review, IX (Summer, 1965), pp. 19-40.

Bigsby, C. W. E. "Curiouser and Curiouser: A Study of Edward Albee's Tiny Alice," Modern Drama, X (December, 1967), pp. 258-266.

"Blood Sport," Time, LXXX (October 26, 1962), pp. 84-85.

Bobker, Lee R. "Albee vs. Chester," Letter to the editor, Commentary, XXXVI (October, 1963), pp. 274-275.

Brossard, Chandler. "On Location with Richard and Liz: Why They're Never Dull," Look, XXXI (June 27, 1967), pp. 64-67, 69-70.

Brustein, Robert. "Albee and the Medusa-Head," The New Republic, CXLVII (November 3, 1962), pp. 29-30.

Buchanan D. E. "Who's Afraid of Virginia Woolf," Film, no. 48 (Spring, 1967) , p. 38.

Callenbach, Ernest. "Who's Afraid of Virginia Woolf?" Film Quarterly, XX (Fall, 1966), pp 45-48.

Chabrowe, L. E. "The Pains of Being Demystified," Kenyon Review, XXXV (Winter, 1963 ), pp. 145-146.

Chester, Alfred. "Edward Albee: Red Herrings & White Whales," Commentary, XXXV (April, 1963), pp. 296-301.

Clurman, Harold. "Theatre," The Nation, CXCV (October 27, 1962), pp. 273-274.

"'Coward, flop, pig' Marital Sweet Talk on Broadway," Life, LIII (December 14, 1962), pp. 107-108.

Croce, Arlene. "Staying Up Late, Talking Dirty, and All That," National Review, XVIII (September 20, 1966), pp. 143-946.

Dent Alan. "Walpurgisnacht," The Illustrated London News, CCXLIX (July 23, 1966), p. 28.

Denton, Clive. "On Film," Take One, I (June, 1967), p. 38.

Dreele, W. H. von. "The 20th Century and All That . . .," National Review, XIV (January 15, 1963), pp. 35-36.

Driver, Tom F. "What's the Matter With Edward Albee?" The Reporter, XXX (January 2, 1964), pp. 38-39.

Duprey, Richard A. "Who's Afraid of Virginia Woolf?" The Catholic World, CXCVI (January, 1963), pp. 263-264.

Durgnat, Raymond. "Fake, Fiddle and the Photographic Arts," The British Journal of Aesthetics, V (January, 1965), pp. 270-288.

Filandro, Anthony, and Dolores. "Albee vs. Chester," Letter to the editor, Commentary, XXXVI (October, 1963), pp. 272.

Flasch, Joy. "Games People Play in Who's Afraid of Virginia Woolf?," Modern Drama, X (December, 1967), pp. 280-288.

"Game of Truth?" Newsweek, LX (October 29, 1962), p. 52.

Gassner, John. "Broadway in Review," Educational Theatre Journal, XV (March, 1963), pp. 75-84.

______ . "'Who's Afraid of Virginia Woolf?' on LP," The Saturday Review, XLVI (June 29, 1963), pp. 39-40, 55.

Gilder, Rosamond. "World Reviews, U.S.A.," World Theatre, XXI (Spring, 1963), p. 76.

Gilman, Richard. "Here We Go Round the Albee Bush," The Commonweal, LXXVII (November 9, 1962), pp. 175-176.

Gow, Gordon. "Who's Afraid of Virginia Woolf," Films and Filming, XII (September, 1966), p. 6.

Hartung, Phillp T. "Long Night's Journey . . . The Screen," The Commonweal, LXXIV (July 22, 1966), pp. 474-475.

Hewes, Henry. "At Home with the Burtons," The Saturday Review, XLIX (July 9, 1966), p. 40

______ . "Who's Afraid of Big Bad Broadway?" The Saturday Review, XLV (October 27, 1962), p. 29.

Irwin, Ray. "Who's Afraid of Virginia Woolf, Hunh?" The Atlantic Monthly, CCXIII (April, 1964), pp. 122, 124.

Jennings, C. Robert. "All for the love of Mike," Saturday Evening Post, CCXXXVIII (October 9, 1965), pp. 83-87

Kerr, Walter. "Along Nightmare Alley," Vogue, CXVI (April 1, 1963), p 119

"King of Off-Broadway," Newsweek, LVII (March 13, 1961), p. 90.

Kitto, H. D. F. "Greek Tragedy and Dionysus," Theatre Survey, 1960, pp. 3-17.

Knepler, Henry. "Edward Albee: Conflict of Tradition," Modern Drama, X (December, 1967), pp. 274-279.

Lewis, Allan. "The Fun and Games of Edward Albee," Educational Theatre Journal, XVI (March, 1964), pp. 29-39.

Lewis, Theophilus. "Who's Afraid Or Virginia Woolf," America, CVII (November 17, 1962), pp. 1105-1106.

Lightman, Herb A. "The Dramatic Photography of 'Who's Afraid of Virginia Woolf?'," The American Cinematographer, XLVII (August, 1966), pp. 530-533, 558-559.

Long, Chester Clayton. "Cocteau's Orphée: From Myth to Drama and Film," The Quarterly Journal of Speech, V (October 1, 1965), pp. 311-325.

Mannes, Marya. "The Half-World of American Drama," The Reporter, XXVIII (April 25, 1963), pp. 48-50.

"Marital Armageddon," Time, LXXXVIII (July 1, 1966), p. 78.

Markus, Thomas B. "Tiny Alice and Tragic Catharsis," Educational Theatre Journal, XVII (October, 1965), pp. 225-233.

MoCarten, John. "Long Night's Journey into Daze." The New Yorker, XXXVIII (October 20, 1962) , pp. 85-86.

McDonald, Daniel. "Truth and Illusion in 'Who's Afraid of Virginia Woolf?'" Renascence, XVII (Winter} 1964) , pp. 63-69.

McVay, Douglas. "Some Delights; Now About these Women," Film, no. 46 (Summer, 1966) , p. 18.

Meyer, Ruth. "Language: Truth and Illusion in Who's Afraid of Virginia Woolf? " Educational Theatre Journal, XX (March, 1968), pp. 60-69.

Morgan, Thomas B. "Angry Playwright in a Soft Spell," Life, LXII (May 26, 1967), pp. 90-99

". . . of Jack Valenti?" Newsweek, LXVIII (July 4, 1°66) , pp. 84-85.

Oliver, Edith. "The Current Cinema," The New Yorker, XLII (July 2, 1966), pp. 64-65.

"Openings/New York," Theatre Arts, XLVI (November, 1962), pp. 10-11.

"Outfoxed," Time, LXXXIX (May 26, 1967) , p. 94.

"Peanut Butter," Newsweek, LX (November 5, 1962) , pp. 74-75.

"People are Talking About . . . Edward Albee," Vogue, CXL (December, 1962), p. 121.

"Playboy After Hours; Theater," Playboy, X (January, 1963) , P. 30.

"Playboy Interview: Mike Nichols," Playboy, XIII (June, 1966), pp. 63-64, 66, 68, 72-74.

Potter, Stephen. "Who's Afraid of Virginia Woolf?" American Record Guide, XXIX (August, 1966), pp. 924-927.

Price, James. "Who's Afraid of Virginia Woolf?" Sight and Sound, XXXV (Autumn, 1566), pp. 158-199.

Prideaux, Tom. "A cry of loss: 'Dilemma come back!'," Life, LXI (October 28, 1566), p. 120.

______ . "The Albee attitude, both sweet and sour," Life, LIII (December 14, 1962), p. 110

Roddy, Joseph. "The Night of the Brawl," Look, XXX (February 8, 1966), pp. 42-48.

Roemer, Michael. "The Surfaces of Reality," Film Quarterly, XVIII (Fall, 1964), pp 15-22.

Schechner, Richard. "Reality is Not Enough," Tulane Drama Review, IX (Spring, 1965), pp. 119-152.

______ . "Who's Afraid of Edward Albee?" Tulane Drama Review, VII (Spring, 1963), pp. 7-10

Schneider, Alan. "Why so Afraid?" Tulane Drama Review, VII (Springs 1963), pp. 10-13.

Schickel, Richard. "What Fllm Has Done for Virginia," Life, LXI (July 22, 1966), p. 8.

Silver, Margery. "Albee vs. Chester," Letter to the editor, Commentary, XXXVI (October, 1963), p. 272.

Skow, John. "Broadway's Hottest Playwright, Edward Albee," Saturday Evening Post, CCXXXVII (January 18, 1964), pp. 32-33

Stewart, R. S., ed. "John Gielgud and Edward Albee Talk About the Theatre," The Atlantic Monthly, CCXV (April, 1965), pp. 61-68.

"Talk with the Author," Newsweek, LX (October 29, 1962)1 PP. 52-53.

Taylor, Marion A. "A Note on 'Strindberg's The Dance of Death and Edward Albee's Who's Afraid of Virginia Woolf?''" Papers on Language and Literature, II (Spring, 1566), pp 187-188:

______ . "Edward Albee and August Strindberg. Some Parallels between The Dance of Death and Who's Afraid of Virginia Woolf?'" Papers on English Language and Literature, I (Winter, 1965), pp. 59-71.

Teuber, Andreas. "Harvard Grad to Act With Burtons," Harvard Alumni Bulletin, LXX (April 27, 1968), pp. 10-15, 20.

Thompson, Thomas. "Raw dialogue challenges all the censors," Life, LX (June 10, 1966), pp. 92, 96, 98.

Trewin, J. C. "The World Of the Theatre. Nights with the Ripsaw," The Illustrated London News, CCXLIV (February 22, 1964), p. 288.

Trilling, Diana. "Who's Afraid of the Culture Elite?" Esquire, LX (December, 1963), pp. 69, 72, 74, 76, 78, 80, 82-84, 88.

Trotta, Geri. "On Stage: Edward Albee," Horizon, IV (September, 1961), p. 78. "

"View from the Penthouse," Newsweek, LXV (April 5, 1965), p. 89.

Walsh, Moira. "Who's Afraid?" America, CXV (July 30 1966), pp. 121-122.

______ . "Who's Afraid of Virginia Woolf," America, CXV (August 6, 1966), pp. 141-143.

"Who's Afraid . . . ," Newsweek, LXVIII (July 4, 1966}, p. 84.

"Who's Afraid of Virginia Woolf?" New York Theatre Critics' Reviews, XXIII (Week of October 22, 1562), pp. 251-254.

Williams Forrest. "Fellini's Voices," Film Quarterly, XXI (Spring, 1968), pp. 21-22.

C. NEWSPAPER

Albee, Edward. "Who's Afraid of Truth?" New York Times, August 18, 1963, p. XI

"Award given. to 'Virginia Woolf'," New York Times, April 26, 1963, p. 25

Calta, Lewis. "Albee Leaving for Soviet to Join Steinbeck in Cultural Exchange," New York Times, November 1, 1963, p. 28.

Crowther, Bosley. "The Ten Best Films of 1966," New York Times, December 25, 1966, p. D1.

______ . "Who's Afraid of Audacity?" New York Times, July 10, 1966, pp. D1, 20D